| Out
of the nineteenth century, old and white, young and ochre, taken by surprise
singing in the banks and stock exchange, in the anonymous managements
of industry, in the evil-smelling ideologies of power, in the cathedrals
scented with incense, in the solemn orgies and in the popular, recurrent
sagas.
With banners, shields, crosses, sickles and axe harnessed; and flowers,
pearls and rose petals gathered for the war and revolution, for the democracies
and socialisms.
Oriented on computerised perspective projections
and programmed on charismas of consensus, the volumes of the abodes do
not find the times of the future, whilst the merchants satisfy the aggressions
of pleasure. On the road the daily lament rolls in the early hours and
then, after, even when the night is over, whilst a caravan burns a cardboard
box on the town at the crevice of the last ford.
August nineteen hundred and fourteen.
The useless prolific massacre in the dens
of freedoms, summoned out of boredom, cherished amid the ravines of justice,
created with papier-mâché, swollen with the vocalises of
peace shouted by the colours of chalk powder, exalted when senses are
tentacles, putrefied in the biological body of individuals and masses.
Europe in the first, great, useless massacre with hats and spats, tacking
silk threads, for filigrees of hypocrisy. The mind sparkles amid felt,
amid neutral curtains and worn uniforms.
Gold does not resist tin and power does not measure its arms with eyes
of consent.
In the streets of Paris: "It was so
simple; all you had to do was not offer resistance; you simply had to
say yes; you simply had to replace the difficult reflection on the events
… with blind acceptance of the immediate future … What a relief
to be able to kick the conscience!". 
In the streets of Vienna: "Strangers addressed each other in the
street in a friendly manner, people who had avoided each other for years
held out their hand, everywhere, all you could see was passionately animated
faces". 
In the streets of Berlin: "At last,
people dared to be what they were … for the first time in almost
a quarter of a century it was possible to meet with pleasure, with a lightened
conscience and without the fear of passing for traitors, everyone singing
together the overpowering and moving hymn Deutschland, Deutschland, uber
alles". 
And so too in London and in Rome.
Like in the celebration of love of the Holi Indians: "At this point
… without any limit, sexual practices of every kind replaced the
normal divisions and differences between casts and separated families;
unbridled libido flooded all hierarchies consolidated by age, sex, cast,
wealth and power". 
In the distance, the long trodden tracks
and the last low tongues of fire. Asexual souls of evaporated mass utopias
throb weakly.
And the veteran dreams: "I no longer wish to return home; I would
like to live life on this street, studying the sky … evaluating
the hours of the day on the intensity of the artillery fire. My Germany
begins where the flames of battle flash and finishes at the end of the
line of the train for Cologne. I cannot return home and pick up my old
life". 
Phillip Gibbs: "There was something
odd. They wore civilian clothes again and looked at their mothers and
brides more or less in the same way as young people did when leaving for
work in peacetime before August 1914. Yet, they were no longer the same
men: something within had changed". 
And Robert Graves: "In most cases, the change lasted for another
four or five years; and there were numerous cases of soldiers who, after
forcing themselves to avoid a nervous breakdown during the war, surrendered
miserably in 1921 or 1922". 
The clear geometries to be thought out again
collapse.
On the daily tears, without sky and leaves, the pastel colours do not
reconcile fatigue and anguish, or the sour flow of insults.
With red eyes and black lips, they sing once
more of class struggles, urban clashes and land for the peasants; women's
freedom dies in the alcoves. And the farmers sing too, and the "masters",
hypnotized by order, on the thrones of the bourgeois monarchies.
The present is already fascist and national
socialist and for all, the sickle plays and the scissors ulcerate. |